8/17/2023 0 Comments Cinescope lln programmeCorp Author(s): Black Filmmaker Foundation. Corp Author(s): Nigerian Folklore Society. Instrumental functions of performing arts in the Nigerian popular culture. Conf Author(s): Videotape as a Development Tool Workshop (1980 : Bamako, Mali), New York, N.Y., Martha Stuart Communications. Report of the Videotape as a Development Tool Workshop, held in Bamako, Mali, from 26 May to 30 June 1980. New York City, Black Filmmaker Foundation. Conf Author(s): Festival panafricain du cinéma de Ouagadougou (6th : 1979). 6ème festival du cinéma, Ouagadougou du 2 au 10 février 1979. Report and recommendations of Kano conference of federal and state officials of information, culture and films, June 28-July 2, 1976. Films on Africa: a descriptive list of motion pictures in the Indiana University Audio-Visual Center and the African Studies Research Collection. "Ouagadougou : African cinema." Entente africaine. Rabat Morocco, Ministère de l'information Centre cinématographique marocain. Re-enacts a Boer cavalry and infantry charge being repelled from a British position and shows a Boer leader being taken captive following his surrender. Summary: Uses stage dramatizations made approximately at the time of the Boer War to show British lancers and infantry charge up a hill and overrun a Boer position. The Boer War (contemporary re-creations) (Motion picture), Thorne Films. Committee of Fine Arts and the Humanities. Corp Author(s): African Studies Association. Los Angeles, etc.] Division of Cinema of the University of Southern California : v. Corp Author(s): University of Southern California. Ouagadougou, Burkina Faso, La Federation : v. Le Burkina Faso Corp Author(s): Pan-African Federation of Film-Makers. Johannesburg, South Africa, Clarion Communication Media. South African film and entertainment industry. Ouagadougou, Marché international de la TV et du cinéma africains : v. ![]() Conf Author(s): International Fair of African Film and Television. Young people participated in workshops and debated with policymakers on the question of what they thought Europe’s railways could or should look like in the future.Bibliography of African Cinema, Film, and Video StudiesįESPACO. The programme also addressed the future of the train and its growing role in sustainable travel. To this end, europalia invited artists from various disciplines to engage with a broad public-accidental passers-by, train buffs, commuters, tourists and art lovers. ![]() TRAINS & TRACKS looked at the intriguing past of the train and thus of Europe, questioning and exploring the public space of stations and their myriad of passers-by. ![]() We also worked around themes of time and movement, encounters and farewells, concepts that are closely linked to the world of trains and which opened broader perspectives. The starting point of the multidisciplinary programme was the train’s impact on society. In addition to stations in Brussels, those of Antwerp-Central, Liège-Guillemins, Bruges, Verviers-Central, Leuven, Ronse, Louvain-La-Neuve and Ostend, as well as trains across the country and in Europe, became unexpected settings for concerts, slam poetry, literary encounters, performances and operas. In 2021, several train anniversaries were celebrated*: a spectacular opportunity for europalia to dedicate an edition of its festival to an invention that shaped society and appears to be playing a leading role again today.ĮUROPALIA TRAINS & TRACKS presented more than 70 different projects - primarily new creations and residencies - spread across art institutions but also in stations and trains, both in Belgium and neighbouring countries.
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